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Sunday 23 November
Fitzgerald's 07:00 PM All Ages $12.00 ADV $14.00 DAY OF BOX OFFICE
Lemuria And Into It. Over It., Another Run
Sheena Ozzella and Alex Kerns had already known each other for several years (including a spell where they were a couple) before forming Lemuria during the fall of 2004 in Buffalo, New York. The two looked to bands like the Lemonheads, Superchunk, Jawbreaker, and Hüsker Dü for influence in crafting their own punky, melodic indie rock. With Ozzella on guitar, Kerns on drums, and Adam Vernick on bass -- all three shared vocal duties, though Ozzella took the lead on most songs -- Lemuria got busy recording a handful of demos. Vernick didn't stick around long, however, ultimately leaving the band during the writing phase of its first EP. Bassist Jason Draper, who had previously played with Kerns and Vernick in the local hardcore outfit StillxIll, quickly stepped in to take his place in 2005, and an eponymous four-song EP appeared that same year via Kerns' label, Art of the Underground.

A string of 7" and split releases followed over the next few years, including a split with the New York-based Frame, another alongside Portland's Kind of Like Spitting entitled Your Living Room's All Over Me, and a 2007 release with New Jersey pop-punkers the Ergs! Yo Yo Records, a German label, then took the liberty of gathering most of the band's existing demos and 7" recordings, compiling them, and releasing the final product as The First Collection. Lemuria's first full-length record, Get Better, was handled by Asian Man Records and appeared in February 2008 to considerable praise and positive reviews. Pebble, the band's second album, arrived in early 2011, followed by Distance Is So Big in 2013. ~ Corey Apar

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Tuesday 25 November
Fitzgerald's 06:30 PM All Ages $25.50 ADV
$27.50 DAY OF
$29.50 DAY OF BOX OFFICE
ANDREW MCMAHON in the WILDERNESS, Fences, Jr Prom
For most of the 2000s, pianist and singer/songwriter Andrew McMahon fronted the alt-rock group Something Corporate before segueing into a poppy solo project titled Jack's Mannequin, which featured guest appearances by many of his talented musician friends. In 2013, he released his first album under his own surname, The Pop Underground. Maintaining his usual warm, upbeat vibe, this was the first of McMahon's records to rely predominantly on electronics and synthesizers. ~ Jason Lymangrover

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Wednesday 26 November
Bayou Music Center 08:00 PM All Ages $40.00
The 1975
The 2013 self-titled debut album from the 1975 is a superb album that finds the Manchester outfit poised on the brink of stardom. When rock guitars meet dancefloor synths, '80s influences become hard to deny, but while the 1975 definitely have a retro vibe (hence the name), the alchemy of how they bring those influences to bear is totally contemporary. While many of the tracks here bring to mind such icons as Peter Gabriel, INXS, and U2, they also fit nicely next to artists of the same moment, like Passion Pit, Temper Trap, and M83. It helps that lead singer/songwriter Matthew Healy has a compelling tenor croon that can soar like Bono one minute and coo like Lionel Richie the next. There is also a sophistication to the band's songs, and an instinct to blur genre lines that makes it hard to box them into one, easy to define sound. In that sense, the band also recalls the way Fall Out Boy combined the rhythmic phrasing and melodies of contemporary R&B with their own brand of driving, guitar-based emo-rock. Much has been made of the 1975's avowed love of '80s John Hughes movies, and many of the cuts here, like the thrilling, lovesick "Settle Down" and the sparkling "Girls," play with such great narrative momentum that they sound like songs culled from a Hughes soundtrack. Meanwhile, cuts like "The City," "Chocolate," and "Sex" drive and climb like the best anthemic '80s stadium rock, roiling a host of influences into a single distinct sound that, the moment it hits your ears, becomes timeless. ~ Matt Collar

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Wednesday 26 November
Fitzgerald's 08:00 PM All Ages $0.00 to $10.00
Hell City Kings 7 Inch Release Show, Poor Dumb Bastards, Donkey Punch, The Guillotines, The Velostac
Hell City Kings are: Bill Fool-Guitars/Vox, Christian Bakka-Guitars/Vox, The GFN-Bass/Vox, Carl Chamblass-Drums

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Friday 28 November
Fitzgerald's 08:00 PM All Ages $0.00 to $5.00 ADV 0.00 to 5.00 DAY OF BOX OFFICE
Sound Control Records Presents: The Wrestlers, Night Drive, Flcon Fcker
Wrestlers (formerly known as Bagheera) began as the alias of 21-year-old Houston producer Aidan Kennedy, who released a house-and-chillwave-blending full-length called 100% Panther in 2012 on France's Plik & Plok Records. The record received raves from blogs like Aerial Noise and Neonized and scored Bagheera high-profile gigs opening for the likes of M83, Ghostland Observatory, Passion Pit, and Matthew Dear. Kennedy eventually invited his old Hebrew school friend David Elkin to join him and form Wrestlers' current incarnation as a funky electro-dance duo. Wrestlers will spend 2014, continuing to make what Cat5 Magazine calls "dance music for those who give a damn about dance music."

Check out Bagheera's single first single "Say Anything" featuring Twin Shadow and D'Angelo Lacy: https://soundcloud.com/redbullsoundselect/bagheera-say-anthing

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Friday 28 November
Fitzgerald's 08:00 PM All Ages $10.00 ADV
$12.00 DAY OF

Los Skarnales, American Fangs, Debauche
20 years on the Texas music scene, Los Skarnales was started in 1994. The band rose out of the ashes of local punk rock band Desorden with help from original members Felipe Galvan and Jose Rodriguez. Always true to roots music in all forms, Skarnales performs a mixture of ska, reggae, rockabilly, swing, mambo, cumbia, and danzones, all with a punk attitude. Never letting down at a live show, the band has performed extensively throughout the United States and Mexico. Los Skarnales has shared the stage with such artists as Flaco Jimenez, Ozomatli, Los Fabulosos Cadillacs, the Aggrolites, Maldita Vecindad, the Slackers, the Specials, Agent Orange and many more. The band now consists of eight members including a full horn section. Along with three full length releases: Vatos Rudos, Suavecito Style, and Pachuco Boogie Sound System, the band has been featured on numerous compilations and live recordings distributed throughout the U.S. and Mexico, including the song "Demasiado Tarde" in the 1999 movie, Sexo, Pudor y Lagrimas. Los Skarnales is on the verge of releasing its Fourth studio album entitled "Dále Shine!" which was recorded in New Orleans. The Album retains the Ska/Reggae feel of previous works, but incorporates more Latin sounds for an energetic mesh that will most definitely keep the bodies moving.

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Monday 1 December
Fitzgerald's 07:00 PM All Ages $18.00 ADV
$20.00 DAY OF
$22.00 DAY OF BOX OFFICE
Augustana, Scars on 45
Augustana's music is the heartland equivalent of Coldplay and Keane, with a touch of mid-'90s adult alternative throwback (think Counting Crows or the Wallflowers) also peppering the band's rootsy, piano-based rock. Although based in California, the group formed in southern Illinois in 2002, while singer/keyboardist Dan Layus and guitarist Josiah Rosen were studying contemporary Christian music at Greenville College. The band's original lineup also included bassist Simeon Lohrmann, second keyboardist David Lamoureaux, and drummer Kyle Baker. This lineup released a pair of self-distributed CDs -- the full-length Midwest Skies and Sleepless Mondays and the EP Mayfield -- in 2003, but the conservative climate of Greenville College proved to be too confining for the band's two co-founders. Choosing music over academia, Layus and Rosen left Greenville for Los Angeles in 2004, jettisoning the rest of the band and re-forming with a new lineup that included keyboardist John Vincent, bassist Jared Palomar, and drummer Justin South.

The reformulated Augustana signed with Epic Records in 2005 and released their major-label debut, All the Stars and Boulevards, in September of that year. A slow starter, the album gradually rose to national attention on the strength of "Boston," a heartfelt ballad that was featured on an episode of Scrubs in early 2006. To encourage this increase in Augustana's popularity, a limited-edition reissue of the album (with extra songs and video content) was released in September 2006. By the following year, All the Stars and Boulevards had finally made its way into the Billboard Top 40 -- a whopping 19 months after its initial release. Augustana then returned in 2008 with a new lineup (Josiah Rosen had left the band for a solo career in early 2006, only to be replaced by guitarist/mandolin player Chris Sachtleben) and a new album, Can't Love, Can't Hurt. More rootsy than the band's debut, Can't Love, Can't Hurt produced a pair of modestly successful singles and sold 400,000 copies worldwide. It also laid the foundation for Augustana, the band's self-titled third album, which appeared in 2011 and featured an even more rootsy, anthemic sound. Producer Jacquire King, the man behind Kings of Leon's breakthrough album Only by the Night, oversaw the project. ~ Stewart Mason
Monday 1 December
Rudyard's 07:00 PM 21 & Over $10.00 ADV
$12.00 DAY OF

Cannabis Corpse, Mammoth Grinder, Inanimate Existence, Peasent, ASS
Cannabis Corpse was founded by Landphil and Hallhammer in the summer of 2006. The band was a heart felt tribute to smoking pot and the most brutal band in the universe CANNIBAL CORPSE! The original demo "Blunted at Birth" was recorded in the kitchen of a shit hole apt. in "Oregon Hill" a small neighborhood in Richmond VA.

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Tuesday 2 December
Fitzgerald's Canceled
Lunaface Presents Mursday: Murs And Mayday W/ Ces Cru
A longtime friend of Definitive Jux leader El-P, rapper Murs first appeared as a solo artist in 2003, after nearly a decade of working with various groups in the underground. Based in Los Angeles, his first single was released in 1993, and came from a self-released album by his first group, 3 Melancholy Gypsies. The track barely made a dent, but it did catch the attention of indie hip-hop fans in the area. Over time, the group members became friends with Mystik Journeymen, who asked 3MG (their shortened name) to join them when they started the Living Legends collective in 1996.

Between both 3MG and the Living Legends, Murs rapped on several influential indie rap albums, appearing on more than 20 records, EPs, and singles within a seven-year period. When El-P started to pull together his Def Jux label, Murs contacted the producer and told him he would release his solo record for the company once he had the opportunity. His commitments to both the Legends and 3MG often kept him from working on the album, but after a few years of slowly putting together tracks, Murs finally delivered The End of the Beginning in the spring of 2003.

Featuring flashier production than his group projects, the album was more in tune with a mainstream hip-hop record, though projects with Anticon rapper Slug under the name Felt -- A Tribute to Christina Ricci and A Tribute to Lisa Bonet -- unveiled a more experimental side to his artistry. The rapper returned to solo work with Murs 3:16: The 9th Edition, a collaboration with producer 9th Wonder, in 2004. One of the tracks from that album, "Walk Like a Man," inspired a movie starring Murs himself, along with Damien Wigfall. The soundtrack, Walk Like a Man, also appeared in mid-2005. Murs teamed up again with 9th Wonder to release Murray's Revenge in 2006. Two years later, he jumped to the majors for a contract with Warner Bros., which yielded Murs for President, with appropriately major-label features for will.i.am and Snoop Dogg. Another two years later, Murs reunited with 9th Wonder to make Fornever. His 2011 effort Love + Rockets, Vol. 1: The Transformation was produced solely by Ski Beatz, while 2012's The Final Adventure found him partnering with 9th Wonder for one last album. In 2013 he signed with Tech N9ne's label Strange Music. A year later he collaborated with Strange label regulars Mayday! on the album ¡Mursday! ~ Bradley Torreano

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Wednesday 3 December
Fitzgerald's 08:00 PM All Ages $7.00
The Jukebox Romantics, The Velostacks, The Wealthy Beggars, Thrill
"The Jukebox Romantics are 4 certifiable and usually belligerent punk rockers from southern NY. Since releasing their debut album on Altercation Records in 2009, the Jukebox Romantics have taken their talked-about live show from coast to coast including dates during Austins SXSW 2010/2011 festivals, the Warped Tour and Gainesville's The Fest 9 in late 2010. With a genre hopping approach to their sound, the Jukebox Romantics channel their influences of bands like The Clash, Bouncing Souls, and One Man Army through personal song writing and their ability and eagerness to be absorbed by their audiences. 2011 saw the release of their sophomoric album, "A Lion and A Guy," as well as a fury of touring. The JBR's self-released a limited 300 copy pressed EP "Hollywood is Dead" in late 2012 and then later for digital download on Death to False Hope Records. More nomadic adventures ensued in 2013 as well as recording for their 3rd full length album. "Plot Points" was recorded in the late summer of 2013. Produced by Pete Steinkopf of The Bouncing Souls, JBRs plan on releasing "Plot Points" in late 2014. Come hang out, have some fun, and make some new friends at a Jukebox Romantics show!"

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Thursday 4 December
Fitzgerald's 08:00 PM All Ages $12.00 ADV
$15.00 DAY OF
$17.00 DAY OF BOX OFFICE
Brownout Presents Brown Sabbath, From Beyond
Brown Sabbath is the alter ego of Austin-based psych-funk collective Brownout who delve deep into reinterpreting the catalog of metal godfathers, Black Sabbath. "Hand Of Doom," featuring The Black Angels' Alex Maas on vocals, is their debut single out now as limited edition, colored splattered 10-inch vinyl with "The Wizard" as the b-side from Ubiquity Records. The full-length album, Brownout Presents Brown Sabbath, is available now. "The Brown Sabbath idea started out like everything else we do, half inside joke, half psychotic. It was an overly ambitious attempt at challenging ourselves as musicians," says Brownout guitarist Adrian Quesada. "Bridging the gap between our music and Black Sabbath is not as far of a stretch as it might seem though. Sabbath was not only heavy, but soulful and funky in their own dark way. Half the band grew up as metal heads too, so it came naturally. The experience is already beginning to influence our next album of original music."
An 8-piece outfit formed ten years ago by members of Grammy Award-winning Latin revival orchestra Grupo Fantasma, Brownout has evolved into a musical force all its own. After garnering their third Austin Music Award last year, the band has continued to produce music that is unflinchingly progressive, while evoking the classic influences of artists such as WAR, Cymande and Funkadelic. They've performed at events including Bonnaroo, High Sierra Music Festival, Pickathon, FFFFest, Bear Creek Music Festival, Utopia Festival and Pachanga Fest, while regularly touring the U.S. Brownout's also served as a highly in-demand backing band for artists including Prince, Daniel Johnston, GZA and Bernie Worrell.
With its latest recording, Brownout Presents Brown Sabbath, they remain true to the darkness, bombast and fuzz of Sabbath's sound, while re-imagining the music with greasy Afro-Latin horns, hypnotic percussion and psyched-out, rare-groove improv. Crushing Vinyl blog called a recent performance "magical," while OkayPlayer wrote, "frantic horn squeals but up against the restless rhythms of the band, paying deep respects." Brownout has released three albums including Homenaje (Freestyle Records 2008), Aguilas & Cobras (Six Degrees 2009) and Oozy (Nat Geo 2012).

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Thursday 4 December
Fitzgerald's 08:00 PM All Ages $17.00 ADV
$20.00 DAY OF
$22.00 DAY OF BOX OFFICE
Blackalicious, Daniel Bambaata Marley
Like a few other West Coast rap acts, including the Pharcyde and Jurassic 5, Blackalicious has generally favored what hip-hoppers call the "positive tip"; in other words, its lyrics have often been spiritual and uplifting rather than violent or misogynous. Like a lot of experimental alternative rappers, Blackalicious can be quirky and eccentric; nonetheless, spirituality is a big part of the group's music. Although Blackalicious wasn't formed until the early '90s, its members had known each other since the late '80s. Founding members Gift of Gab (Timothy Parker) and Chief Xcel (Xavier Mosley) first met in Sacramento, CA, in 1987 when they were students at John F. Kennedy High School. Neither of them was originally from Sacramento; DJ/producer Xcel (who was going by DJ IceSki at the time) was a native of the San Francisco Bay Area, while rapper Gift of Gab was from Los Angeles' suburban San Fernando Valley.

The two went their separate ways after Gift of Gab (also known as Gabby T) graduated from Kennedy High in 1989, but they were reunited in Davis, CA, in 1992. By that time, Xcel had become a student at the University of California at Davis and the Gift of Gab had moved to Davis to form Blackalicious with him. UC Davis was where Xcel had started working with a hip-hop crew named SoleSides, whose members included DJ Shadow, Lateef the Truth Speaker, and Lyrics Born. SoleSides Records was the name of the SoleSides Crew's Northern California record company and in 1994, that label released Blackalicious' debut single "Swan Lake." Although not a triple-platinum smash, the single was a small underground hit that fared well among alternative rap audiences. The following year, SoleSides Records released a Blackalicious EP titled Melodica. By late 1997, SoleSides Records had transformed into Quannum Records, and in 1999, Quannum put out another Blackalicious EP, A2G.

In 2000, Quannum released the group's full-length debut Nia (whose title is the Swahili word for purpose). After being together eight years, Blackalicious finally signed with a major label when, in late 2000, the Californians were added by MCA. In April 2002, Quannum/MCA released Blazing Arrow, which boasted guest appearances ranging from vocalist Zack de la Rocha (of Rage Against the Machine) to the Roots' ?uestlove to veteran soul singer Gil Scott-Heron. After the requisite tour, both Xcel and Gab began developing solo material; Quannum released both Maroons' Ambush (Chief Xcel with Latyrx's Lateef the Truth Speaker) as well as a Gift of Gab solo LP, Fourth Dimensional Rocketships Going Up. The pair returned in 2005 for their third album, The Craft, with a contract in hand from the Anti- label. ~ Alex Henderson

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Friday 5 December
Fitzgerald's 08:00 PM All Ages $15.00 ADV
$20.00 DAY OF
$22.00 DAY OF BOX OFFICE
Jamestown Revival, Nikki Lane, Pete Molinari
Texas-bred/Los Angeles-based self-described "back-porch folk-rock" duo Jamestown Revival formed in 2011 around the talents of childhood friends Jonathan Clay and Zach Chance. Growing up together in the small Texas town of Magnolia, Clay and Chance spent their formative years listening to artists like Creedence Clearwater Revival, Willie Nelson, the Everly Brothers, Guy Clark, and John Prine, each eventually carving out his own unique niche as a solo artist. The duo spent time in Austin before relocating to Los Angeles, where they began writing together in earnest. The duo's resulting debut long-player, a highly autobiographical collection of harmony-laden, Western-tinged indie folk songs in the vein of Shovels & Rope, the Avett Brothers, and the Lumineers, was recorded to tape in a log cabin in the Wasatch Mountains of Utah, and released via Wild Bunch Records in 2014. ~ James Christopher Monger

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Saturday 6 December
Fitzgerald's 07:00 PM All Ages $20.00 to $25.00
2014: A Backspace Odyssey
"2014: a backspace odyssey" presented by McGuireWoods LLP. Backspace formed in 2007 as a group of like-minded professionals who wanted to make life a little more fun. Their annual show is a themed one-time only performance. On Saturday, December 6th, Backspace will take you through space and time on an odyssey into the music explosion of the 1960s. In Act I, hop into your VW and travel across the country: the San Francisco scene to LA pop, down through the swamps of Louisiana and into the soul of Alabama, and finally on to Nashville before hopping across the pond for the British Invasion. Act II is Beatlemania. Dance and sing your way through the Beatles' catalog, starting with their first appearance on the Ed Sullivan show all the way through Let it Be. Ticket sales benefit Camp Young Judaea - The Friends Fund that provides for summer camp scholarships. All ages welcome. No opening act. Feel free to dress in your 60s gear for this rockin' good show!

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Saturday 6 December
Fitzgerald's 08:00 PM All Ages $5.00
Danny Malone, Catch Fever, The Caldwell, Modern Medicine
Danny Malone is one of the best musical movements to ever come out of Austin, Texas, and a lot of good things have come out of Austin, Texas.

His new album ‘Balloons' solidifies him as an expert in sincere, powerful songwriting that never sacrifices its poetic finesse. It's as if Danny has taken his heart, fermented it in a 16th century castle in Denmark, and wrung it out over 11 songs, all filled with melodic poetry and great soundscapes. Bottoms up! You'll be drinking some of the finest singer/songwriter brew that has been served for several years. (Music Worth Reviewing)

Balloons was recorded in Denmark, in a 15th Century castle called Engelsholm. The castle is widely believed to be haunted by the souls of tortured slaves housed there many hundreds of years ago, as well as those of the philosophers and Alchemists who freed the castle of slavery after buying it from the Danish King.

Danny and co-producer Mattie Smith spent 10 days recording 10 songs in this castle.
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